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The Other Guys
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The Other Guys
This occasionally amusing but excessively vulgar action comedy follows the odd-couple antics of an eccentric, paperwork-loving police accountant (Will Ferrell) and his frustrated perforce partner (Mark Wahlberg) -- a former street cop unwillingly desk-bound after making a high-profile mistake -- as they investigate the financial shenanigans of a British-born banker (Steve Coogan). Director and co-writer Adam McKay's parody of genre conventions handcuffs its talented cast with relentlessly foul-mouthed dialogue and tiresome bedroom jokes. Considerable, though bloodless, action violence; much sexual humor; a couple of uses of profanity; and pervasive crude and crass language. O -- morally offensive. (PG-13) 2010
The Other Guys (Full Review)
Veteran comedian Will Ferrell and comedy newcomer Mark Wahlberg play an ill-matched pair of crime-busters in "The Other Guys" (Columbia), an occasionally amusing but excessively vulgar action satire that handcuffs its talented cast with relentlessly foul-mouthed dialogue and tiresome bedroom jokes.
Ferrell is New York Police Department Detective Allen Gamble, a paperwork-loving forensic accountant whose idea of a fulfilling workday involves tracking down construction permit violations from the safety of the squad room.
Observing him disdainfully from the next desk is his frustrated perforce partner Terry Hoitz (Wahlberg). A former street cop unwillingly office-bound after making a high-profile mistake, Terry longs to get out of the precinct house and bring the bad guys to their knees, and he seldom passes up the chance to put quirky, soft-spoken Allen in his place.
A surprising opportunity to make a major bust arises, however, when Allen's numbers crunching and detail sifting suggest that famed British-born banker David Ershon (Steve Coogan) has been engaged in massive financial shenanigans.
To his credit, director and co-writer (with Chris Henchy) Adam McKay -- Ferrell's longtime collaborator -- handles the predictable series of car chases, explosions and gunfights that follow with restraint. Though the bullets fly by the hundreds, blood goes unspilled, and only one character meets a somewhat jarring end.
No such reserve is shown, though, when it comes to including edgy sexually themed material in this parody of genre conventions. Thus, when Allen's wife Sheila (Eva Mendes) turns out to be unexpectedly attractive, Terry openly lusts after her to supposedly humorous effect.
Equally misguided is a scene in which, with Allen in hiding, Sheila's elderly mother serves as a go-between for the spouses, carrying back and forth distastefully detailed messages about the outlandish lovemaking activities they yearn to be engaged in with each other.
These movies have been evaluated for artistic merit and moral suitability by the media reviewing division of Catholic News Service. The reviews include the CNS rating, the Motion Picture Association of America rating, and a brief synopsis of the movie.
The classifications are as follows:
A-I -- general patronage;
A-II -- adults and adolescents;
A-III -- adults;
L -- limited adult audience, films whose problematic content many adults would find troubling. L replaces the previous classification, A-IV.
O -- morally offensive.
Note: Some movies previously were designated A-IV. Older films with this classification should be regarded as classified L.