Brooklyn's Finest

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Brooklyn's Finest

Seamy New York police drama chronicling a week in the lives of a cynical patrolman (Richard Gere) on the verge of retirement, an undercover operative (Don Cheadle) desperate for promotion to a safe desk job and a narcotics officer (Ethan Hawke) tempted to steal drug money to provide for his ill wife and growing family. Though Catholic imagery pervades director Antoine Fuqua's grim journey through Gotham's criminal underworld, faith provides no meaningful guidance to the conflicted characters as they cross legal and moral boundaries, and as the obscenity laden-script lurches from bloodshed to explicit scenes of sexuality. Frequent bloody violence, including beatings, shootings and strangulation, graphic nonmarital sexual activity, upper female nudity, a few uses of profanity, unremitting rough and crude language.  O -- morally offensive. (R) 2010

Brooklyn's Finest (Full Review)

 Catholic imagery pervades director Antoine Fuqua's seamy New York police drama "Brooklyn's Finest" (Overture).
 
But faith provides no meaningful guidance to the conflicted cops who populate this grim journey through Gotham's criminal underworld. Instead, characters cross all manner of legal and moral boundaries as the obscenity laden-script lurches from bloodshed to explicit scenes of sexuality.

The film chronicles a week in the lives of three troubled lawmen: cynical patrolman Eddie Dugan (Richard Gere), who's on the verge of retirement; undercover operative Clarence "Tango" Butler (Don Cheadle), who's desperate for promotion to a safe desk job; and narcotics officer Sal Procida (Ethan Hawke), who finds himself tempted to steal drug money to provide for his ill wife and growing family.

The ultimately impotent role of religion in at least two of these three chaotic lives is typified by a pair of unsettling early scenes.

In one, Eddie wakes up from a nightmare in a bedroom where practically the only form of decoration is a rosary hanging over the bed, downs a shot of whiskey and plays a round of Russian roulette with his service pistol jammed in his mouth. The other shows Sal going to confession, but ultimately declaring -- with language typical for the dialogue but wildly inappropriate for the sacred setting -- that he doesn't want God's forgiveness, just his help.
 
Sal's goal is to raise the money -- by fair means or foul -- for a new house, not only to get away from the mold that aggravates wife Angela's (Lili Taylor) asthma, but to accommodate the five children he already has and the twins who are on the way. The clear implication is that Sal's Catholic beliefs prevent him from exercising responsible family planning, as though artificial contraception were the only viable means of doing so.

Sal's back is adorned with a large tattoo of the archangel Michael, along with the text of the familiar prayer invoking that heavenly warrior's protection. As the film reaches its improbable, corpse-strewn climax, Sal misguidedly recites this prayer before launching an attack as vicious and conscience-deadening as anything served up by the ruthless traffickers he is meant to be combating.

The film contains frequent bloody violence, including beatings, shootings and strangulation, graphic nonmarital sexual activity, upper female nudity, a few uses of profanity and unremitting rough and crude language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

The classifications are as follows:

• A-I -- general patronage;
• A-II -- adults and adolescents;
• A-III -- adults;
• A-IV**
• L -- limited adult audience, films whose problematic content many adults would find troubling. L replaces the previous classification, A-IV.
• O -- morally offensive.
  

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